after >make tomorrow< (sect05) by grovskopa its now time for some heavyweight remix-action, delivered by saga, jr seaton, delta funktionen and skallander.

euphoric, heartfelt and utterly beautfiul, spokes present >we can make it out<, the first single from their forthcoming debut album, >everyone i ever met<. effortlessly blending together elements of shoegaze, folk and post-rock, its bittersweet joyfulness will purge your system of cynicism for a week, while its unique collective-choral vocals typify the energy of the forthcoming album as a whole.

raw analogue sound at the boundaries between house and techno. already played by djs as marcel dettmann, ben klock, steffi, prosumer, raresh, cassy, claude young. cutted directly from reel tape at exchange london. get your copy fast, its gonna blow your mind!

patterns presents the next big release! spiros kaloumenos has made an impression with his wicked releases in the last year on labels like yin yang, soul access, dolls, special series and his own analogmode and focus.
spiros latest release called >play this game< on number 51 was a big succes and 10 releases down the line for patterns its time for the return of the master from greece! thundering bass kicks and infectious basslines will make the crowd go crazy!

evans above … its the mysterious mr evans with some uptempo feelgood fun-stuff. remixes in the shape of john dalys epic solar excursion and art of tones tightened up funk dub of dr. evans >final< track.

it would be a complete mistake for any house imprint not to include a us talent in his catalog, this wont be the case for apersonal music. on its third effort the label takes his first journey to the grounds of american house. from arizona, michael j collins with remix rework from bostons house-sons soul clap, plus the first collaboration for apersonal from maurice aymard. a side single nothing wrong with holding on show us the most eclectic side of the label so far. looped vocals, broken house with a saxo on top. michaels talent goes beyond genres mixing elements from different styles to create this great piece of music. soul clap delivers, as usual, top stuff! in their remix they speed up the bpm and add a hip-breaker bassline taking the original track to the dancefloor war zone. second remix from maurice aymard, himself at the controls plus venezuelan producer garnica hitting the drums, they take the track to a trippy slowmo version, what maurices catalogs as his best remix so far.

mitzi are a 4 piece of awesomeness made up of dominiqe bird, jad lee, charlie murdoch and cale suesskow. they all hail from australias most laidback and sunny city brisbane. some people call it brisvegas because its sexy too. after playing in various killer bands such as bmx (2009 unearthed parklife winners), comic sans (2010 unearthed st jeromes laneway festival winners), charlie why! (recent bang gang 12 inches signing) and the gallery kiss all the dudes have united to create some genuinely exciting australian music. the three tunes on >all i heard< fuse the sounds of garage disco, nyc indie and the light heartedness of australian pop. jono ma (lost valentinos, tracy thorn, teenagers in tokyo) mixed the record at ewan pearsons studio in berlin and made all those trumpets, snares, keys, whispers and vocals sound ridiculously tight. future classics history has always been rooted in bands and were pretty stocked to be getting back into it. plus its our 50th release!

comedy of menace part 2 is the second vinyl single from the critically acclaimed artist album >comedy of menace< by terence fixmer. hypnotizing and mental in many ways, >comedy of menace part 2< reflects the character of his full length, and shows once more the versatility in terence fixmers productions. reworks by artists such as niederflur and brendon moeller pay tribute in an equally varied way. the vinyl includes the dubby and light original of >phantoms<, and the sensitive rework by niederflur on the a side, who transform the original into a more driven and dancefloor appealing techno track, without loosing the originals tender essence. the b side presents the hypnotic original >breathless< and brendon moellers remix of >things are over<. applying his very own dub techno fingerprint and creating a timeless soulful groove monster, its shifting the your reality from head to toe.

with their first co-production, dj / producer paul woolford and the irish-born producer team paul hamill and dee lievense aka psycatron deliver the prove that uk techno has not lost any of its energy or visionary power in the year 2010. after releases for carl craigs planet e label and r & s (psycatron) resp. 2020 vision or renaissance (paul woolford), the two tracks on the >thunder ep< are consequently moving to the next level. >thunder< impresses with extremely dynamic drumming and always changing percussion patterns. a rhythm body that is constantly in motion and will be enlightening every single dance floor with its hypnotic power dub. >cloud 9<, however, is stepping back at first and stresses an explicit chord techno structure despite its solid pumping elements before integrating some noise rave signals following the epic break after some 5 minutes, as it was totally naturally and thus letting the whole floor blast off. with such joy of telling and the eagerness to experiment in a musical way, you are really looking forward to the winter club season 2010/2011!

christmas is a time for people to come together. in that tradition, desolat celebrates a year packed full of music, with the second yearly christmas label sampler: a showcase of inspiring heavyweights alongside fresh talent from two continents, wrapped up in a big shiny bow. while last years christmas vinyl sampler was red, this years sampler will be blue: simply a beautiful sounding item in our favourite music format. all artists featured on the sampler have released music on desolat previously: some as special guests, some as cherished label staples. legendary chicago producer dj sneak jumps into the fray with a contemporary salsa-kissed house jam at a strapping pace, taste-making french don franck roger similarly digs deeps with the agile burner >egotrippin<. desolats taste for dancefloor atmospherics is further exemplified by loco dices stripped back and frisky track >dont make signal<, and martin buttrichs playful >roads<. livio & roby, premiesku, yaya and guti & audiofly also contribute their own takes on the desolat sound: with crunchy, sample-flecked grooves aplenty. its been a watershed year for desolat, with a super-wide variety of singles, remixes and long players by artists such as pulshar, ricardo villalobos, thomas melchior, marco passarani and der räuber & der prinz: musical explorations of submarine-worthy proportions. we are excited to see what 2011 will bring… stay tuned

born in chile but raised in sweden, alexi delano, with fellow swedes like cari lekebusch, adam beyer, jesper dahlback, joel mull and others, became part of some of the first wave of swedish electronic music producers that made a name for themselves in the mid 90s, releasing on techno labels such as plus8, missile, primate, hybrid, svek and many more. his style dwells in the perfect balance between shiny minimalism and dark vivasious techno, which is exactly what you can expect from his brand new ep for leena >un do me<. as a long term friend of mobilee, and also an artist who’s productions fit well with many of our artists dj styles and tastes, its a great pleasure to finally release one of his productions on leena. both tracks on the ep >un do me< and >watch out< come with a powerful punch and high energy. with more than two decades on the stage, hes an artist that is certainly showing no intentions of slowing down. we hope you enjoy this!

a spiral of evolving and heady, sample-laden tracks unfurl on paco osunas latest ep, a richly produced melding of continent-spanning talent, with paco partnering up in the studio with real-life amigos daniel sanchez, alex under, joseph capriati and alexi delano. the amigos ep presents driven, moving grooves with satiating build ups, over densely-layered samples and drums. osunas seasoned skill-sets in the dj booth and as a producer come together knowingly in this release. osuna and his dutch/spanish counterpart daniel sanchez combine melodic and percussive samples in kawuriel, whilst with madrids alex under as his cohort, osuna transfixes with waaaa - featuring a distinctive pitch shifting sound throughout its phasing. your understanding of its unusual name will become abundantly clear upon the first listen. also notable is wope, which contains woodblock-esque percussion samples that compliment the rolling bass, co-produced with italian musician joseph capriati. the eps finale, waxfix, is a combination of the talents of osuna and swedens alexi delano, resulting in another cleverly-derived arrangement of steady bass drums and strong high hats. its a well-locked and smoothly syncopated, loop-based groove

prompt has been producing electronic music since the mid 90s and during this time has made a string of outstanding eps, some of which have even won awards. but who exactly is this man from madrid: prompt? to stand on a stage and party for hours in his own world is not prompts style. he would rather sit in the background of his studio and create unforgettable and ever more fascinating tunes. his debut ep on highgrade set the tone for his convincing mix of sound design and subtle hooks. these are also the most important elements for his new highgrade release. in >sharing sounds< its all about deepness. expressed through dense loopy forests and deep broken valleys. you have to engage in the sound experience and see the world prompt has built for you. few other techno producers have such a distinctive style or unique voice. with this ep you could be blindfolded on the dance floor and you would still recognize the music. the sound will convince you once again, both in the club and on the turntables at home.

guy gerber teams up with an all-star lineup of fantastic friends to bring the labels 25th release to the dancefloor. a collaborative work featuring the likes of dop, ryan crosson, varoslav, guti & greg paulus - time for a change, marks a pivotal time & place for the label. the family-feel of this release is a vibe that transcends more than the music on the record…its the way that the team behind the label operates day to day as well. with creative input on the label coming from all corners of the globe, its only natural that the 25th release would bring this crew together. >time for a change< the ep title & leading track of supplement facts’ 25th release takes charge with an almost marching tone

marco resmann has done it. the studio computer is purring again like a satisfied kitten and those dark technical storm clouds have passed by. to prove that a streak of technical bad luck which he has just gone through can sometimes enhance creativity he has come up with this little gem of a new single >drop outz<. on a1 we have >mal pas< (transl: difficult road) which is an ode to the suffering he went through with his computer. but dont worry, its just a name, the track itself is as light and sweet as the stuff that we love from marco. b1 is also little beauty, no dark clouds to be found here either, and b2, a cracker called >whats cracking< is the ultimate proof to anyone that the sun always shines at upon you. enjoy and always think happy thoughts friends

lust und freu.de welcomes voellmer & brendel, two new artists from potsdam, on their seventh and last release of this year. their track >influenze< is built up pretty simple and brings it on sharp with rolling basslines and spacey sounds flying all over the place. this track fascinates by careless ease and its hypnotizing effect lets his listeners automatically float to the dancefloor. competed by an bumpin someone else and an away drifting antonio olivieri remix this ep is an invitation to move your feet and fly away.

here we go again! driving forces recordings is proud to announce another great release by our friends chris hope & andre walter, who again shared forces to create 2 pure and evil techno tracks. the original version of >i take< is a super long & hypnotic tune with great and endless rising synths. this is pure peaktime madness for crowded club nights.
the remix comes from nobody less than naples uprising superstar sasha carassi. with releases supported by the ones like adam beyer, alan fitzpatrick, joseph capriati, len faki and countless others, sasha stands for quality in every respect. no question that he delivered a real bomb here too in his very special & unique trademark big room style.
>collateral damage< is another brutal piece of music in the typical way only andre walter is able to do. with all its rawness this track perfectly reminds on his early days and works with frankfurt based technolegend chris liebing. this is simply sick! be aware!all tracks were heavy road tested for months now and are 100% club smashers for sure!

boe x is a special landmark release for the buzzed about london label boe recordings. featuring artists both familiar and new to the imprint, its a sonic snapshot of the labels sound wrapped in celebratory sleeve artwork and limited to a vinyl only run of 500 copies

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

support from miguel migs, king britt, tedd patterson, master h, jammie thinnes, master kev, deep josh, russell pollitt, dalminjo, roussia, michael fossati, dj jorj... its almost winter time but stalwart has decided to refuse to let go on this depressing vibe !! with its 18th release, stalwart hopes to bring some sun in your heads and ears with this track from portuguese dj and producer deep djoe, sung by superstar portuguese soul singer veronica larrenne. >sing 4 u everyday< is a melodic funky soulful song full of live instruments giving it a warm, qualitative, singalong appeal. the groove will take you straight to the dancefloor, and the vibe to a warmer place near a beach or a swimming pool !! receiving heavy feedback, the original tune has been given the remix treatment from our heavyweight friend aaron ross who delivers a mood ii swing-like vocal dub version. dj rork added a different, more complex groove to the original track with his rework, while up-and-coming french talent thomas toccafondi had delivered a minimal, groovy and hypnotic dub, giving this package a wide appeal

own meets the 60s with the naughties. its throbbing drum rhythm and soul-laced vocal make this a certain smash for those hot, heavy and sweaty nights. finally the much shought after remix of riva starr is available on a ltd produced stamped vinyl

played by ellen allien, koljah, bryan zentz! amam records is pleased to announce its seventh release, a joint effort between avatism of london and the selph of milan – including a remix by veteran producer dan curtin – for a well rounded tech-house vinyl ep

cabin fever pulls in the production skills of alexkid (f com, cadenza) for this killer limited vinyl only release. >i want it all< is already turning into a bit of an anthem for radio slave with its relentless kick and vocal. whereas >lovemusic< is all about the groove. this time pressed on clear/transparent vinyl

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

jan driver “gain reaction : you might know jan driver from his famous techno life in the 90ies or maybe for his label grandpetrol, his extraordinary skills in german folk music, high quality mixing for siriusmo, jesse rose and modeselektor or last but not least also from his wmc 2010 #1 hit “tellyfoam” which was featured on the bnr miami noize sampler. here is the first maxi of berlin multi-action-talent and friend jan driver, presenting a selection of 4 tracks including “gain reaction , a good fun heavy bass bleep champ, “cs40m , a slower powerful jam that creates an energetic build up of pink noise and 303 sounds for the very special atmosphere, >hornetbeef<, a tech-house at its best and >mecafunk<, darker techno, big sounds, the right track to close this magnificient production of these 4 tracks. what more do you need

first on decks.de !! wavering minimal compositions by german techno aficionado felix bernhardt. (a1) felix bernhardt - black donkey : a massive piece of bass concentration mixed with a round sound structure, sampled vocals and a thrilling build-up for explosive dancefloor moments. (a2) felix bernhardt - die lustige lokomotive : felix bernhardt starts the track with playful, melodic bleeps merging into a hammering peaktime track - quirky, dynamic and groovy all along. (b) felix bernhardt - black donkey (wahrlich & carbon remix) : with a pounding beat at the beginning, the remix of >black donkey< comes along rougher and more minimalist than the original. the track develops its own force due to its distinctive melodic sequences.

the mysterious entity that is richard gateaux drops a new 7 track ep on fat fuk recordings. rumors are that its phoreski, for sure it is that richard gateaux delivers some serious versatile nu-school disco, cosmic disco, kraut rock.... give it a name...

let be known that this is the 10th and last release on beautiful granville records, as the label will be closing its doors. at conclusion, we are proudly presenting 4 versions of >dusa<, which represents the beautiful soul of the music that we chicagoans have loved and cherished all these years. please join in our celebration of house in this gentle banger with tevo howard, who has great hope that the track will move you timelessly

supported by: king fluffy, grass maximilian, weed cliff, rhone divers inc, boring calvingrad suckazz, paris cliton, guru, the lozan climbing monkeys, super tight ussyz, real jazz fake azz and many many more headz out there… sai is a rising house artist originating from japan. after a 1st track released on morris audio citysport edition sai is presenting its 1st ep and we are rather proud its with us. midnight colors is a wonderfully deep and warm ep. for the true house headz out there

for detroit techno lovers ... fantasic record incl strong christian smith rmx...616 seconds highlights marcs dancefloor knowledge, and once again sees him harnessing the strength and power of contrasting sounds. the cascading and sweeping synths, sit pretty alongside the underlying, gated growl of the main bass-heavy synth, pierced only by its open hats and snare hits.

third release on the label and its another bomb! pianos rule on this already classic techno anthem..

nice price deal !!! after more than one year slash co-owner ahmet sisman is back with his brand new solo ep! the playing with acid ep is an unapologetic combination of raw-deep techno and electro-pop influenced house music. and as we know it already from mr. sisman, he loves to combine different genres and create his own distinctive flavor! the a-side playing with acid is a pure synthie-baseline dominated track whose melody is drilling through your head that you won’t forget it so easily. this trapping hook line is coming along with some poppy vocals which are giving you a slight association how is it feeling being totally vaporized in the mind. we say, be careful when you playing with acid!!! feel today think tomorrow has a different approach while the ingredients remain the same. it’s the more melancholic side of this record but also filled with pure energy. the guitar phrases creating those feelings between the struggle and harmony in life, and like the title indicates: live today, pay tomorrow! no return no regret is the more poppy side of this record. the b2-side is a mixture of modern elements bonded with the refreshing vibe of the contemporary 80s influence. this fusion is a naive approach of pooling different styles in one track with the intention to create something timeless. even its poppy elements doesn’t seem to allow it we going to love it for a long time and we hope you will feel the same! this three-tracker ep contains the well known “mr. sisman-ingredients”. although the difference to his previous productions laying in its details. find it out for yourself and above all: enjoy it!!!

roman iv is roman flügel. surely, you dont need us to sing you the praise of his various styles. under his roman iv moniker, he always pursued his more contemplative dance floor side. la paloma is exactly that kind of perpetual and lulling marathon jam that recollects his testament tracks (check playhouse and ladomat for further listening) and needs to be followed all the way through. having said that, sa caleta looks for a more immediate hit. with a rigid punch and some greasy layers, you get romans take on the current or recurrent slow motion disco craze. straightened out and cut right to the chase. finally, lucy rolls over again, starts where la paloma ended and makes its way up to a subliminal hookline. for all you digi kids: look for the bonus beat mix tool supreme called 123 bpm. roman iv president

the latest release from the fizzy duck label features carlos nilmmns and ian elgey joining forces on two deep sounding pieces of music. with a nod to their love of the detroit sound on >its because< and >thought pattern pt. 2<. the third track on the 12 inch comes from a new band intrasound from glasgow with mesuma on remix duties.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

hailing from the free swinging hills of san francisco, established dj and producer alland byallo has created his own unique sound out of a love for deep, soulful house combined with more edgy techno moments. from his own successful nightlight label he has released a quality catalogue including his debut artist album last year. of course it was only a matter of time until his talents were noticed by poker flat boss steve bug, and the results are this briliant 2 tracker, which also marks alland‘s arrival in his new home of berlin. welcome to town mr byallo! ‚discovaries‘ has a healthy amount of berlin‘s reduced techno affinity rooted within its phasing, growing p-funk waves. tense, moody and of course drenched with attention to detail, this is a grower in the true poker flat style. the sunken, murkier undertones of ‚shipwrecked‘ begin as a darker moment in techno, however gradually unfold and surface into a shining, tripped out afterhours anthem.

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

the owl, like its namesake, sits in the shadows. its deep, dubby bassline lazily rolls along, as our franco-italian alliance layer their percussive elements. string stabs usher in the smooth-keyed break, before that weighty bass drops back in. on the flip, txarco brings a sinister, somewhat industrial brand of funk, provided brilliantly by its growling, predatory bassline. as scything sounds, breathy vocals, and a variety of drums rolls lunge from the darkness, and fade just as quickly, we are constantly guarded by our bassline protector.

marcus sur releases his first record on the deep imprint of mbf: mbf ltd.
recently home to riley reinhold productions, the label started years ago with cosmic sandwich productions, weird and disco induced, mutant disco and now is on its way to settle with deeper and soulful house. marcus sur seems to be just the right choice at the right time.

2010 has seen plus 8 celebrate its 20 year anniversary with releases coming from some of technos finest artists, including paco osuna, marco carola, skoozbot, mike shannon, danilo vigorito, datasoul and uto karem. now london duo layo & bushwacka! join the family with the release of their debut for richie hawtin and john aquavivas imprint, with the endangered ep.

again a new fresh talents lands on be as one. italys sehou is indeed a well promising artist and the israeli imprint surely has a careful ear when it come to signing its artists. >to who love< is as simple as it is beautiful, a true house masterpiece with a classic touch, to stand the test of times. >dark side of the sun< turns things darker and deeper, phat bass, phat grooves, sure effect. to complete the package gel abril strikes back again on be as one after bein gmissed for long on the imprint. keeping things basic but effective, the israeli brings funk to the floor in his own unmistakable style

hold tight for the track of the winter as mario basanov steps out of the shadows with the excellent >up< ep for needwant complete with a low slung house remix from the current hot property nicholas. >up< is the kind of record you want to go on and on, so easy to get lost in its rolling grooves.

up and coming portuguese dj kaspar with a sweaty dubby house track and gerd in the remix! coming on clone club series which previously had the classic release by mina jackson and mike dunn. the original version takes a more dubby laidback approach with deep bass lines and a nice loose groove. gerds old school mix continues the early 90s house tradition of reshaping, covering, re-playing classic basslines or hooklines to spread the good vibes. sharp and tight remix that delivers big time. club house music in its best tradition!
comes on clear / dark blue marbled vinyl.

limited to 500 copies worldwide.bristol based skinnz unleashes his debut solo release after more than 5 years in the game! his productions date back to an appearance on a destructive recordings compilation back in 2005 alongside the likes of skream, toastyboy, distance and vexd. more recently his collabs with i.d have seen releases on labels such as pinchs earwax and double science. >keep it gutta< features soaring synthetic soul chords, like jokers >purple wow< sound with aggro elements sublimated into a crisp urban elegance. >euphorbia< strays into martyn/joy orbison territory, its fizzing drone chords and soul vocal samples compressed around a bassier but grime-inclined beat to breathless effect! currently receiving heavy radio1 / 1xtra support from mistajam and ras kwame, along with mary anne hobbs, pinch, mensah, i.d, baobinga, akira kiteshi, jayglo & more!

new dutch label with its roots in the west coast italo disco scene. teaming up with long time buddy fred ventura sfera celeste project combines the melancholy of vintage italo disco with the black funk of man parrish and the mysterious atmosphere that good new wave used to have. pretty essential and highly limited (480 hand numbered copies) for the real heads. these guys come in the tradition of the earliest electronic dance music and show their love for man and machine. interesting new label and desirable first release!

incl franklin de costa & tricksi rmxs

so sorry . its totally sold out >> no repress !!! max one copie per custumer! due heavy demand! ... forth run for knowone - and once again strong limited - only 250 worldwide! vinyl only – no repress, no digital release! smoky marbled white vinyl, hand stamped, hand numbered & shrink-wrapped!
deep dubby basic channel influenced tracks by the next known artist who remains unknown - the music speaks for itself. rare!

yep. its back... !